The Hidden Hand Review: Genius Babble

Pete Kent – The Hidden Hand – Album Review

Genius Babble: Sunday, April 24, 2016

Written By Tom Coombs

There is nothing more beautiful to behold than a perfectly played guitar.  I am not talking rock chords here, I am talking classical or the way the guitar should be played.  With this in mind I would like to introduce you to Pete Kent and his second album ‘The Hidden Hand’.

Pete Kent from Wolverhampton is a finger-style instrumentalist who is at the top of his game and is the ultimate in one man musical genius and skill.  It seems that I am gushing but just wait until you hear the music, doing all percussion himself along with the guitar in what are amazing compositions.

Following on from début album ‘The Sands of Time’ Pete Kent is bringing you more of the same energy that you wouldn't expect from an instrument only eleven track album.  Most of the songs are his own but he also has three covers, consisting of ‘everywhere’ by Fleetwood Mac, ‘The Way It Is’ by Bruce Hornsby & The Range and Level 42’s ‘Hot Water’ which really shows the mix of music within Pete Kent’s repertoire.

There is something relaxing but energetic with the sounds of an acoustic guitar only, and the riffs from top to bottom just keep you glued.

From the upbeat songs like ‘Icon’ to the soulful slow songs like ‘When The Lights Go Down’ the sound is mesmerising and beautiful to hear.

5 Stars – Once you hear the skill and energy in the music you will have to own it

Review Sourced From: http://geniusbabblereviews.blogspot.co.uk/2016/04/pete-kent-hidden-hand-album-review.html

The Hidden Hand Review: Minor 7th

Pete Kent, "The Hidden Hand," 2016

Minor 7th: May/June 2016.

Written By Kirk Albrecht

pete kent hidden handIt's ironic that the last cut on Pete Kent's second solo acoustic guitar CD is titled "One Trick Pony," because as a guitarist, he's not that! Kent shows off about every trick in the modern fingerstyle arsenal – tapping, slapping, harmonics, percussive effects, slides, bends, and straight finger picking – all to good effect on the 11 tunes on "The Hidden Hand." He is deft when needed, simple in the best sort of way by not trying to do more with a phrase than the music requires. But Kent can play, as evidenced by the opening cut, "Icon," as he slaps and picks, mixing in a few ripping arpeggios to make sure you're not lulled by the grooving rhythm.

The CD has eight originals and three covers: a terrific version of Bruce Hornsby's hit "The Way It Is" that captures the drive of the original; "Everywhere" by Fleetwood Mac, where we can almost hear the melody sung by Christine McVie; and Level 42's "Hot Water" played with sass and funk. "Every Time I See Your Face" is a delicate flower. The title cut "The Hidden Hand" begins with a Spanish-style repetition with reverb, then shifts into another gear of single note runs while retaining an Andalusian feel. "Summer Daze" has a sing-song quality as the bass and melody tick-tock back and forth like a rocker on the front porch in the cool evening air. Maybe it's the title, but "The Devil's Chair" has a certain drive and power all its own in a haunting kind of way as bass plays off harmonics through much of the song. There's not a weak song on the CD. British audiences are being treated to some fine playing when Kent takes the stage, and we can only hope for more offerings as creative and well played as "The Hidden Hand."

© Kirk Albrecht

Review Sourced From: http://www.minor7th.com/m7_6_16.html#Kent